

Paper Cuts — Portrait
2025
A portrait built entirely from magazine clippings, using small color-matched fragments to recreate the subject’s features, tones, and expression.
Visual Communication
Industrial Design & Illustration

I solve problems through the disciplines you least expect.

I am a designer who likes to question the obvious. I tend to take things apart, look at them from another angle, and see what happens when I approach them differently.
I’m an Industrial Designer specialized in Technology with a growing interest in products, illustration, and storytelling. Working across these disciplines has taught me that a good idea is only part of the process — how it is communicated can shape the way people understand, connect with, and experience it. I’m interested in finding that visual language, whether through an object, an image, or a story.
A little thing about me: I love traveling and taking photos of the places I visit.
Form, material, mechanism. Designing something physical that behaves the way a person expects it to.
Composition, colour, hierarchy. Making complex ideas legible before anyone reads a word.
Narrative, character, sequence. Giving an idea a shape people can carry with them.
Sometimes a problem needs a product.
Sometimes it needs an image.
Sometimes it needs a story.


2025
A portrait built entirely from magazine clippings, using small color-matched fragments to recreate the subject’s features, tones, and expression.


2026
A custom T-shirt design created for a graduation photography studio, bringing a playful graphic identity to their photo days.



2026
Book cover design for Jane Austen’s Pride and Prejudice. I designed a soft blue hardcover edition with a simple visual style and an original illustration.
An illustrated children's book exploring empathy through storytelling and visual language. The project aims to help children understand and connect with others' emotions, encouraging them to see situations from different perspectives.

The drawings, tests and dead ends behind the projects, a layer that usually stays hidden.
opens on top of this pageI don't follow a fixed process. I follow the idea.
I start by noticing something small, strange or overlooked.

I question what seems obvious and ask why it has to work that way.

I experiment before trying to make things perfect.

I often think through making — sketching, modeling, illustrating, prototyping, crafting or rendering.

I combine references, ideas, materials and disciplines that might not seem related at first.

I allow the idea to change instead of forcing the original concept to work.

The final result comes from exploration, experimentation and unexpected connections.

I follow the idea until I understand what it wants to become.